Art and fashion have had a notoriously long affair, with the former attracted to the glamour and glitz of the latter, and the latter attracted to the former for the creative legitimacy it can bestow on an essentially commercial endeavor, but rarely has one actually crossed over into the territory of the other. As of this Christmas season, however, Marc Quinn — he of Saatchi Young British Artists, “blood head”, and Traflager Square plinth/disabled marble bust fame – is breaking the rules.
- •Contact us
- •About us
- •Advertise with the FT
- •Terms & conditions
© The Financial Times Ltd 2013 FT and 'Financial Times' are trademarks of The Financial Times Ltd.