Last week was menswear week in London – see Charlie Porter’s review – but in New York, it was womenswear everywhere. On Monday I saw eight “pre-fall” collections. Tuesday I saw another and, on Wednesday, I saw a 10th. What did I see? Well, tailored wool jackets. Mini-skirts. Prints – leopard and cheetah and floral and what Carven’s Guillaume Henry described as “sort of layered posters for Françoise Hardy albums”. Tuxedo dressing. And evening gowns. Lots and lots of evening gowns.
But the latter aren’t for pre-fall – that is, from next June/July until November, when this ridiculously named “season” is stocked in shops. The gowns are for tomorrow.
I did a Lunch with the FT with Burberry’s chief creative officer, Christopher Bailey, (looking snazzy, left), which is running tomorrow, and in our long – and fun – conversation, the thing that struck me most was the revelation that he limits his technology interaction largely to his professional life. Yup: no Facebook, no Twitter. It’s a work-only thing.
Why is this interesting? Well, because Mr Bailey has been a driving force behind Burberry, which is streaming its men’s show tomorrow on numerous social media platforms from Europe to China, becoming the number one high-end fashion company in the digital space.
And the Burberry flagship on Regent Street was revamped, under Mr Bailey’s direction, with an astonishing number of screens that can do such things as show you how your trench coat would look in the rain. Read more >>