Since the financial crisis left them shaking in their Cleverley bespoke shoes and Christian Louboutin heels, bankers say they have started dressing for work more casually.
Some 59 per cent of bankers said their colleagues dressed less smartly than in 2009, with just under half of respondents saying that colleagues did not wear ties to the office, according to an FT poll of 135 bankers in response to the news that Savile Row tailors were feeling the effects of US tax crackdown.
By David Hayes
With all the ballyhoo of a major Hollywood production, the Gucci-founded charity, Chime for Change, today launched its headline event for 2013, The Sound of Change Live, to be held at Twickenham on June 1.
Hosted at the screening room of a swish central London hotel, the media event didn’t hold back on pizzazz: Salma Hayek Pinault (wife of PPR’s François-Henri Pinault, resplendent in a figure-hugging deep red dress), Oscar winning documentary maker Sharmeen Obaid-Chinoy (in a waft of oyster chiffon and satin), Grammy Award winning singer-songwriter John Legend (in sensible leather jacket) and, drum roll, a larger-than-life on-screen Beyoncé delivering a special heart-felt message.
What was all the fuss about? The recently created charity, Chime for Change (say it with a comedic Italian accent and, geddit, it almost sounds like “time for change”), with Gucci’s Frida Giannini, Beyoncé and Salma on the founding committee, is a new global campaign to raise funds and awareness for the empowerment of girls and women in the developing world.
Saint Laurent's 'skinny' look. Getty Images
The other day I dropped into Saint Laurent Paris on 57th street, between 5th and Madison (ie, a new-look YSL shop, which I guess we now have to abbreviate as SLP – bears an unfortunate resemblance to “slip”). I wanted to check out the pre-fall men’s collection that had just come in – new designer Hedi Slimane’s first – with my real-life menswear tester (my husband). It’s one thing to see a line on the runway, another to see it on normal businessmen types, a category in which I include my beloved.
Put another way, he’s in his fourties, just under 6ft, played college sports and is still in relatively good shape without being a workout addict, so pretty representative of the mean. But what we found knocked me for a loop.
There we were, browsing the suits, which were typically elegant, and my husband asked the quiff-coiffed salesman if he could try one on. The salesman looked at him and said: “Well, you are probably our largest size, which is a European 54.” (He is, for the record, a US 42.)
Just days after returning from styling Madonna on her MDNA tour – a certain wardrobe slip-up in Istanbul notwithstanding – Arianne Phillips visited the Museum of the Moving Image in Astoria, New York, to see her work celebrated in a new exhibition. ‘Magnificent Obsessions: 30 stories of craftsmanship in film’, sponsored by Italian sunglasses brand Persol, brings together actors, directors and designers deemed by curator Michael Connor to demonstrate “the fierce passion behind cinema”.
Many of the items on display might never have been discovered if Connor hadn’t tracked down the artists and gained their trust. Pages ripped from the diary of actor Ed Harris explain the emotional cost of his transformation into Jackson Pollock for the 2000 movie ‘Pollock’, and complex sketches by Alfred Hitchcock map the camera angles in the desert scene in ‘North By Northwest’. A series of colour charts created by director Todd Haynes to guide the actors in ‘Far From Heaven’ had to be rescued from a box in his basement.
By Carola Long
Stella McCartney with athletes in the Adidas British Olympic kit. Image by Getty
The unveiling of Stella McCartney’s kit for the British Olympic team today was billed as the “official reveal.” With flashing lights, heartbeat, baseline music and a podium-like set — all designed to build up suspense — there was a whiff of the TV game show about the event. Specifically, the 1990s British TV show Gladiators.
Staged in a marquee in the Tower of London, the tone veered from an incredibly slick marketing campaign to a moving celebration of British talent, to moments of slight absurdity ( a gymnast rising from inside a podium on a horse- the gymnastic, not equestrian variety.)
Alastair Carr, design director, and Benoit Duverger, managing director, at Pringle of Scotland talk to Carola Long, FT deputy fashion editor, about the rebel teenager who inspired their Autumn/Winter 2012 look, the brand and the commercial importance of showing at London Fashion week.