Forget the uproar around competing menswear shows LC:M, which starts today and ends Wednesday, and Pitti Uomo, which also starts Wednesday and runs until Friday. Seems to me the real distraction from the menswear scene this week is actually taking place in Las Vegas from tomorrow-Friday, and is the Consumer Electronic Show, aka CES. After all, the buzz word of the event this year is “wearables,” and the market for “wearables” is being projected to grow to $19 billion in the next four years. Shouldn’t fashion companies be chasing a share of that there about-to-be-very-large pie, and fashion-watchers paying all sorts of close attention? Read more
There was much hoo-ha a few weeks ago about the London opening of American success story J Crew, and whether it would work in the UK, and the great consumer response, and yadda yadda yadda, but in getting excited about the clothes, we seemed to have missed one of the less obvious effects of the opening: its influence on local brands and their thinking – which is to say, the way it has awakened managers to the potential of the accessible luxury/contemporary market (whatever you want to call it: that slice of retail that falls between High Street and very high end). Consider Karen Millen, and its CEO Mike Sherwood, who today told the FT he has decided to take the brand, which was previously at a sort of upper high street level, into new territory. Hello, accessible luxury! But is he right about the opportunity? Read more
Forget obvious battlegrounds like stores (who has got the biggest/luxist/most special) or designers; the most heated fights in luxury are clearly taking place behind the scenes, in the back-end and backrooms. The latest entrants: Chanel and Paco Rabanne, which stepped into the supplier/accessories arenas respectively. Read more
Are accessory designers finally getting the recognition they deserve? Following Louis Vuitton’s announcement last summer that Darren Spaziani was joining the house as accessories designer, now Emilio Pucci is revealing a “get”: Elena Ghisellini, aka the woman behind Givenchy’s recent stream of It bags. She’ll work with creative director Peter Dundas. So far, so normal: both are LVMH brands, this is keeping it in the family. So why do we care? Lots of reasons! Read more
It’s about now that a film studio’s fancy turns to thoughts of awards. They need to get their Oscar/Bafta/Golden Globe contenders in by the end of the year, and general wisdom dictates that it is always better to save the most powerful for the end, so that they remain fresh in voters’ minds.
So the holiday season coincides with the release of high-minded movies such as Philomena , Dallas Buyers Club and The Book Thief – films that deal with big subjects such as adoption and motherhood, terminal illness and the Holocaust, as opposed to, say, superheroes and aliens, or bachelors on the loose. And as in film, so in fashion.
The analysts are not happy. Chairman Yves-André Istel’s statement at the Richemont earnings report today that “No disposals are under consideration at this time or for the foreseeable future.” has been met with grim reaction in the city, which was hoping that Johan Rupert’s sabbatical, and the new leadership of co-CEOS Bernard Fornas and Richard Lepeuwould opt for a rationalisation of the Group, where the fashion brands – Chloe, Alfred Dunhill, Lancel, Shanghai Tang, Alaia – have always seemed an anomaly. Clearly, there’s something of a perception gap here between internal and external players. Why? Read more
There’s a new competitor in the etail space, with a relatively original hook. This is, of course, the brass ring of on-line selling, where it is increasingly apparent that the first to a new idea (or a newish permutation of an old idea) wins big, and everyone else – well, seems to implode. So what is this Next Big Thing? Blake Mycoskie, the founder and CEO of Tom’s – the footwear and now eyewear company with a 1:1 selling/giving model – has launched an on-line department store called Marketplace that showcases 200 products from 30 brands founded with a charity component as part of their modus operandi. Think of it as Nordstrom’s – or Selfridge’s – meets Chime for Change. Read more
One of the weirder moments in the already surreal event that was the public confessional/press conference Toronto mayor Rob Ford held yesterday to admit smoking crack cocaine was, it has to be said, his tie. Unlike most such accessories sported during such penitent moments, which tend to dark, drab, night-of-the-soul shades and prints (see pretty much any white collar defendant in court) — or at the very least, a peaceable blue (see pretty much any banker testifying before a government sub-committee) – Mr Ford wore a souvenir number, spotted by brightly coloured logos from NFL teams. It provoked an immediate reaction. And therein lies a lesson. Really. Read more
Blame it on Michelle Obama’s elegant arms and the related tricep/bicep workout craze, but women want to show off their upper limbs like never before and there are few ways to do so as stylishly as in a one-shoulder top. Once upon a time, a bare shoulder was almost a synonym for disco nights, but these versions are altogether more grown-up, polished and accessible. Read more
To kick off the Paris shows, the final leg in the marathon that are the modern ready-to-wear collections, Louis Vuitton did something I can’t ever remember them doing before: they announced the name of their new accessories designer with all the hoo-ha and accolades that usually come with the unveiling of a new creative director. Step forth Darren Sapziani. In the luxury power structure, things they are a-changin’. Read more