It’s all about football for men’s luxury brands. What else to make of the fact that Lanvin just became the first French brand to joined the ranks of Paul Smith (Manchester United), Armani (Chelsea, plus the English national football team, twice), Brooks Brothers (InterMilan), and Dolce & Gabbana (the Italian National team and Lionel Messi, the Argentinian football player they dressed for so long, they made a whole book about him), by becoming the “official tailor” to Arsenal, the UK football club immortalised by Nick Hornby in “Fever Pitch”? Read more
Much ado in New York over the fact that yesterday, while on his “Yeezus” tour, Kanye West gave a radio interview on 92.3 suggesting his fans not buy any Louis Vuitton products from now until January. Apparently, he is upset that the brand’s CEO did not want to meet with him in Paris, and he wants them to feel his pain where it hurts. The problem is, he got the wrong CEO. Read more
OK, that headline is a bit of an exaggeration; luxury still loves its LA brand ambassadors. But when it comes to fashion week, it’s a legitimate question. Looking at the reports from last night’s Emmy awards, it suddenly hit me that there have been almost no Hollywood moments during Milan Fashion Week. Even given the date clash, and the fact that some may have had to be in the awards auditorium, there are plenty of movie stars who would have been available. No to mention rock stars. So I wonder: Have we finally come to the end? Has the luxury/celebrity balance of power finally shifted? Read more
How much does Lady Gaga really matter, in a quantifiable way, to fashion? — this is what I want to know. I mean, the Gaga juggernaut has been in full flow this week in the run-up to the Spring/Summer collections, which begin in NY next week; practically every day a new email lands in my in-box with a designer or brand touting the pop singer’s appearance in their wares. Presumably, they think she’s a marketing dream – hence the news – but I wonder: given her brand profligacy, does this actually work to promote any name other than her own? Read more
Forget reality TV; nothing has been more mesmerising than the Dolce & Gabbana soap opera of summer. I mean, first they were convicted of tax fraud. Then they appealed. But not content to appeal to the court, they also appealed to the court of public opinion, closing their Milan stores “in indignation,” and announcing they would be bankrupted if they had to pay their fine. Read more
Is anyone else struck by how much Edward Snowden, in the few pictures that have surfaced and are used again and again, looks like a whistleblower of myth?
White, clammy-looking skin that seems like it hasn’t seen the sun in weeks, either because he has been hiding underground, sleeping in the Moscow airport, or holed-up with his computer (or all of the above); rimless glasses; colourless eyes; stubble; grey, nondescript clothes that throw no light on to the face; mussy hair that sticks up every which way – these are the clichés of the trade, but they also happen to describe his appearance in the image that has been passed round almost ad infinitum. The only other, presumably earlier pic available online – Snowden without glasses and beard, looking even more translucent and pointy – is no better (he looks kind of like an unhealthy Twilight-type).
It’s been an interesting week in fashion reality TV: Grace Coddington solidified her position as one of the industry’s hottest stars by cooking with Elettra Wiedemann, aka Isabella Rossellini’s daughter, on Ms Wiedemann’s YouTube show, and making potatoes Dauphinoise and steak, food that “any Vogue person shouldn’t be making” and John Galliano finally gave his much-anticipated Charlie Rose interview. Together the two revealed a truth about fashion reality TV media execs might want to start noting.
Moda Operandi’s announcement this morning that it would be selling designer gowns seen on celebrities and society mavens direct from next week’s New York Met Ball has really lifted the veil on the extent of the commercialisation of the 21st century red carpet.
The three-year-old company, which made its name offering high fashion looks straight from the catwalk and has widely been touted as one of the few e-commerce start-ups with a real shot at competing with queen bee of the pack Net-a-Porter, first made waves earlier this year by announcing its sponsorship of the “Punk: Chaos to Couture” themed event. Read more
This weekend marks the opening of designer Marc Jacobs’s first feature film. A “social media thriller” directed by Henry Alex Rubin and entitled “Disconnect”, it stars Jacobs (as well as Jason Bateman, Alexander Skarsgard and Andrea Riseborough) in a supporting role as an sort of e-pimp who provides runaways with shelter and employment doing internet porn. Judging from the trailer he’s pretty good – and really looks the part. In other words, he seems like a legitimate actor, which takes the whole fashion/film thing to a new level. It is a fluke or the future? That si the question. Read more
By David Hayes
With all the ballyhoo of a major Hollywood production, the Gucci-founded charity, Chime for Change, today launched its headline event for 2013, The Sound of Change Live, to be held at Twickenham on June 1.
Hosted at the screening room of a swish central London hotel, the media event didn’t hold back on pizzazz: Salma Hayek Pinault (wife of PPR’s François-Henri Pinault, resplendent in a figure-hugging deep red dress), Oscar winning documentary maker Sharmeen Obaid-Chinoy (in a waft of oyster chiffon and satin), Grammy Award winning singer-songwriter John Legend (in sensible leather jacket) and, drum roll, a larger-than-life on-screen Beyoncé delivering a special heart-felt message.
What was all the fuss about? The recently created charity, Chime for Change (say it with a comedic Italian accent and, geddit, it almost sounds like “time for change”), with Gucci’s Frida Giannini, Beyoncé and Salma on the founding committee, is a new global campaign to raise funds and awareness for the empowerment of girls and women in the developing world. Read more