Ready-to-wear

Delphine Arnault, aka the woman who is doing all that designer wooing/moving at LVMH (think Nicolas Ghesquiere to Vuitton, and J.W. Anderson to Loewe), is not the only tall, blonde, smart daughter of a luxury brand founder to be making an impact on the creative side of luxury; now Virginie Courtin-Clarins, aka the granddaughter of the founder of beauty group Clarins, aka the new Director of Development, Marketing and Communications of Mugler Fashion, has just announced the appointment of David Koma as Artistic Director. Like Mr Anderson, Mr Koma is part of the new wave of Hot Young British designers. And like Ms Arnault, Ms Courtin-Clarins, who is in her late 20s, is part of a new generation of luxury scions entering the business and reshaping their brands. Read more

John Galliano, left, is once again making clothes, but this time in a slightly different incarnation. Mr Galliano is going to design the costumes for Stephen Fry’s production of “The Importance of Being Ernest” – including the looks that Mr Fry himself will wear as Lady Bracknell in the production, which will involve some gender-bending, and open at the Theatre Royal in the autumn of 2014. So what do we think? Is this comeback, unlike the last three comeback attempts, going to work? My guess: possibly. I think it certainly has the best chance thus far. Read more

There’s a terrific essay by Rei Kawakubo, the high priestess/founder of Comme des Garcons, in the current issue of System magazine that casts doubt on a piece of fashion conventional wisdom that has under-pinned the industry, and the designer myth, as far as I can remember. I am speaking here of the “inspiration” trip/book/cultural event. Is it a bunch of hooey? Maybe. Read more

In yet another sign that the balance of power between designers and the brands and Groups that employ them may be shifting in the designer’s favour, today Kering announced it had entered into a Joint Venture with Tomas Maier (left), aka the creative director of Bottega Veneta, aka the man who made that brand into the second largest luxury brand in the Kering stable, and the fastest growing, to develop his own brand, entitled – guess – Tomas Maier! Still, Mr Maier founded his brand in 1997 and joined Bottega in 2001. So why is this happening now? Read more

It never rains but it pours: just a week after the Burberry shake-up comes news that Jil Sander (left) is leaving her namesake label for the third – count’ em – time, for “personal reasons.” (The first two times she left because of strategic differences with the then-owner, Prada Group.) No replacement has been named, and the upcoming fall/winter collection will be designed by an in-house team. So what are we to make of this? Read more

The news yesterday that Marco Zanini, former creative director of Rochas, would become the new creative director of the relaunched House of Schiaparelli, which would also join the couture calendar, is the sort of news that normally would send the fashion world into such a frenzied show of breast-beating (what will happen to Rochas!!) and excitement (what will this mean for Schiaparelli?!) it would put the actual shows on the runway to shame. Except this time no one batted an eyelash. They yawned, and moved on. How’d that happen? Expectations management via social media. There are lessons here for us all. Read more

Bare essentials

Blame it on Michelle Obama’s elegant arms and the related tricep/bicep workout craze, but women want to show off their upper limbs like never before and there are few ways to do so as stylishly as in a one-shoulder top. Once upon a time, a bare shoulder was almost a synonym for disco nights, but these versions are altogether more grown-up, polished and accessible. Read more

Yesterday LVMH announced it had signed up YBD JW Anderson to be the new designer of Loewe, and taken a minority stake in his brand. Anyone notice anything funky about this? No? It was expected? Well, kind of. But what shouldn’t have been expected, but seems to be increasingly the case, is that while they hired him to be the creative head of one of their not-quite-there-yet brands, they allowed him to keep his own line. And therein lies a change in strategy. Read more

OK, that headline is a bit of an exaggeration; luxury still loves its LA brand ambassadors. But when it comes to fashion week, it’s a legitimate question. Looking at the reports from last night’s Emmy awards, it suddenly hit me that there have been almost no Hollywood moments during Milan Fashion Week. Even given the date clash, and the fact that some may have had to be in the awards auditorium, there are plenty of movie stars who would have been available. No to mention rock stars. So I wonder: Have we finally come to the end? Has the luxury/celebrity balance of power finally shifted? Read more

“I wanted to be nasty. I’m fed up with everything.”
So said Miuccia Prada after her emphatic spring/summer show, which looked at the debate over women’s roles without flinching.
I know it’s a political discourse,” said Mrs Prada, “but I wanted to say what I could through clothes.”
It’s rare, if not unheard of, these days for a big global brand to take a stance on any issue; worried about inadvertently offending potential consumers and losing a lucrative revenue source, they waffle, avoiding commitment. Hemlines are high – or they are low. Trousers are tight – but they can also be wide. Coats are light as air – except when they are fur. Shoes are sky high – and completely flat. And so on.