© The Financial Times Ltd 2014 FT and 'Financial Times' are trademarks of The Financial Times Ltd.
One of the liveliest debates exercising the fashion world focuses on a suit. No, not the patchwork denim tuxedo modelled by Katy Perry’s new beau Riff Raff at the VMA awards last weekend. Nor the his ’n’ his black-lapelled ensembles worn by Woody Harrelson and Matthew McConaughey to present at the Emmys. Instead, a most ferocious debate has been unleashed by Mikey Dickerson and his decision not to wear one at all.
Two of the biggest events in the Hollywood calendar took place in LA last weekend, the MTV Video Music Awards and the Primetime Emmy Awards. And with it two red carpets to gaze upon. From Katy Perry’s denim homage to Britney (circa 2001 at the MTV Video Music Awards) to Claire Danes’ scarlet woman, we look at the top trends:
The news that the street-fashion photographing power duo Scott Schuman and Garance Doré were no longer romantically involved was announced, appropriately enough, via their independent blogs. “After seven wonderful years, Garance & I have decided to split,” Schuman wrote on TheSartorialist.com 10 days ago.
The Honourable Woman, the political thriller currently reaching its apogee on the BBC, makes a compelling case for the continuing influence of minimalist power dressing. Hugo Blick’s eight-part conspiracy drama, rather dishonourably squandered within the holiday doldrums of the summer schedules (and now airing to US audiences on the Sundance channel), features such sumptuously luxuriously spare tailoring, svelte silhouettes and form-skimming power skirts that one could argue that the Célinification (so named after the influential label headed by the 41-year-old designer Phoebe Philo) of the moneyed elite is now complete. At least onscreen.
Since the financial crisis left them shaking in their Cleverley bespoke shoes and Christian Louboutin heels, bankers say they have started dressing for work more casually.
Some 59 per cent of bankers said their colleagues dressed less smartly than in 2009, with just under half of respondents saying that colleagues did not wear ties to the office, according to an FT poll of 135 bankers in response to the news that Savile Row tailors were feeling the effects of US tax crackdown.
So after a season of “team”, beleaguered Jil Sander has a new creative director: Rodolfo Paglialunga. Who? Cast your mind back, and you may remember him as the guy who briefly made the revived Vionnet kinda-sorta interesting in its first seasons back in the public eye, between 2009-2011. Celebs from Madonna (left, in his Vionnet) to Hillary Swank and Diane Kruger wore the dresses, and it was on the verge of hot-ness. Then something happened (who knows what?) and Mr Paglialunga was out. Vionnet, which was later sold to Goga Ashkanazi, has yet to really get back on the rails. But given his success with the brand, does this (short) track record bode well for Sander?