The news that the street-fashion photographing power duo Scott Schuman and Garance Doré were no longer romantically involved was announced, appropriately enough, via their independent blogs. “After seven wonderful years, Garance & I have decided to split,” Schuman wrote on TheSartorialist.com 10 days ago.
The Honourable Woman, the political thriller currently reaching its apogee on the BBC, makes a compelling case for the continuing influence of minimalist power dressing. Hugo Blick’s eight-part conspiracy drama, rather dishonourably squandered within the holiday doldrums of the summer schedules (and now airing to US audiences on the Sundance channel), features such sumptuously luxuriously spare tailoring, svelte silhouettes and form-skimming power skirts that one could argue that the Célinification (so named after the influential label headed by the 41-year-old designer Phoebe Philo) of the moneyed elite is now complete. At least onscreen.
Since the financial crisis left them shaking in their Cleverley bespoke shoes and Christian Louboutin heels, bankers say they have started dressing for work more casually.
Some 59 per cent of bankers said their colleagues dressed less smartly than in 2009, with just under half of respondents saying that colleagues did not wear ties to the office, according to an FT poll of 135 bankers in response to the news that Savile Row tailors were feeling the effects of US tax crackdown. Read more
So after a season of “team”, beleaguered Jil Sander has a new creative director: Rodolfo Paglialunga. Who? Cast your mind back, and you may remember him as the guy who briefly made the revived Vionnet kinda-sorta interesting in its first seasons back in the public eye, between 2009-2011. Celebs from Madonna (left, in his Vionnet) to Hillary Swank and Diane Kruger wore the dresses, and it was on the verge of hot-ness. Then something happened (who knows what?) and Mr Paglialunga was out. Vionnet, which was later sold to Goga Ashkanazi, has yet to really get back on the rails. But given his success with the brand, does this (short) track record bode well for Sander? Read more
The subject of feminism and fashion, with all its complicated associations, has been percolating along for a season now – ever since Rick Owens’ step dancer show for spring/summer — and for anyone who though it was just a trendy thing, a group of occurrences this week ought to put that idea to rest. If anything, the commitment is being upped. Read more
Given the obsessive attention routinely paid to what Michelle Obama or Samantha Cameron wears, it struck me that when Michelle Bachelet was sworn in as president of Chile this month, no one mentioned what she wore: a long navy jacket and matching skirt with a red, white and blue presidential sash.
Even more notably, in a photo taken that day, Bachelet was sandwiched between Brazil’s president Dilma Rousseff, who was wearing a black straight skirt and a black and white plaid collarless jacket with black lace appliqué, and Argentina’s president Cristina Fernández de Kirchner, in a white lace dress under a white car coat with white open-toe platform pumps. And no one said anything about them either.
L’Wren Scott, the celebrated American fashion designer, has been found dead in New York after committing suicide, police sources confirmed on Monday.
The 49-year old launched her haute namesake brand – renowned for its understated, womanly elegance – in 2006, after earlier forays into the industry first as a teenage model then later as a highly sought after Hollywood stylist. Her glamorous, alpha woman designs had most recently found a home on the London Fashion Week calendar, orbited by her make-up, fragrance and accessories partnerships with some of the biggest names in fashion. Read more
During the penultimate day of the Paris ready-to-wear collections, just before the Alexander McQueen show, was an event that, given the circumstances, might strike many as odd.
And now the LVMH young designer prize finalists are out! It’s been a big week for prize announcements, what with the CFDA and now this. In fact, it’s kind of instructive to look at the two together, because it underscores how global fashion has become – and the problems that arise when you try to think of it in the national context. Think how much more fun it would be if everyone could be considered for “womenswear designer of the year” or “accessory designer of the year.” Now that would be really interesting!
Nominations please. Read more