Because today is Dries Van Noten’s show, the first biggie of Paris Fashion Week, and given the interest in his Lunch with the FT last Saturday, following are some out-takes from our interview: moments that did not make it into the final draft because of space or continuity, but that illuminate something about the man, or the industry. They’re not quite as funny as Adam Sandler out-takes, but they’re very revealing. Read more
By all rights, designer Dries Van Noten could be excused for being a bit grand. We meet a few days after his wildly applauded Paris menswear show and just over a month before his womenswear collection, one of the hottest tickets of fashion week thanks to Van Noten’s ability to combine the elaborate (extreme embroidery) with the ethnic (far-flung tribal references) and the casual (tailored khakis) – plus, last season, a live soundtrack courtesy of Colin Greenwood, Radiohead’s bass player.
“We Are All Guilty for this Mess,” according to Suzy Menkes, fashion editor of the International Herald Tribune. In a heartfelt piece in her newspaper, my fellow Fashion Week traveller and friend took the fashion industry (herself included) to task for the very public soap opera that is the current round of designer switcheroos, in which bystanders gossip and place bets and tweet about real jobs and real people like they are characters in a reality television game.
It’s tough and honest and has people buzzing at the shows, and I recommend you read it, but I’m also not sure I entirely agree with it. I think she’s right about the situation, but doesn’t fully get to the cause. Read more
Who is fashion week for? The fact that this is a pressing question has suddenly become as clear as the plaid on a kilt thanks to British Vogue’s web site, which today launched a new initiative: “On-line Fashion Week,” which points up a growing schism in the fashion world.