Francois-Henri Pinault

There’s a new entry in the ever-evolving luxury lexicon courtesy of the folks over at Interbrand: “meta-luxury.” The term, coined to replace that old catch-all “luxury,” refers to “luxury after luxury.” For those in search of a fuller (or more logical) explanation, two Interbrand directors, Manfredi Ricca and Rebecca Robins, have written an entire book elucidating the concept, called, not surprisingly, “Meta-luxury.” It’s not perfect, but I think it may come closer to rationalising the current situation than anything else I’ve seen thus far.

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If last week saw creative directors playing musical chairs, with Hannah MacGibbon out at Chloe, to be replaced by Pringle’s ex Clare Waight Keller, and Patrick Robinson dumped by the Gap, today it looks like it’s corporate’s turn. British accessory success story Anya Hindmarch has announced a new CEO, its first outside exec ever, in the form of James McArthur, while at Boucheron PPR says Jean-Christophe Bedos is being replaced by Pierre Bouissou, who left as managing director of rival LVMH’s Berluti last year.
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The Metropolitan Museum of Art has announced its next great Costume Institute theme: Alexander McQueen! And the underwriter of show as well as the opening night party, aka the Party of the Year, aka the ultimate nexus of fashion and celebrity and society (chairs are Stella McCartney, Colin Firth and Anna Wintour; honorary chairs are PPR chief Francois-Henri Pinault, owner of McQueen, and his wife, Salma Hayek), is…Alexander McQueen! What a surprise.

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The Vanity Fair New Establishment 100 list has just been unveiled, and its criteria for picking “the 100 most influential” are increasingly impenetrable. Read more