Tag: Kate Moss

Marc Quinn silk scarf for Selfridges

Marc Quinn silk scarf for Selfridges

Art and fashion have had a notoriously long affair, with the former attracted to the glamour and glitz of the latter like moths to a flame, and the latter attracted to the former for the creative legitimacy it can bestow on an essentially commercial endeavour. But rarely has one actually crossed over into the territory of the other. However, as of this Christmas season, Marc Quinn – he of Saatchi Young British Artists, “blood head”, and Trafalgar Square plinth/disabled marble bust fame – is breaking the rules.

To be specific: He’s making his own accessories and clothing, and selling them at Selfridges. And he’s not hiding behind anyone else’s brand name. As far as I can tell, that’s a first for an artist.

Rui Vieira/PA Wire

OK, John Galliano made her actual wedding dress, which was pretty, being bias cut and gold beaded, but also pretty unsurprising (inspired by the beautiful and damned Zelda Fitzgerald, who was also the theme of Kate Moss’s famous 30th birthday celebration).

 

If I had bet, I would have made some money.

But – and this a big but — Stella McCartney made six – count ‘em! – dresses for the Kate Moss wedding extravaganza that began yesterday and is continuing through the weekend: her first dance dress, her after-party, and her going away suit, plus three bridesmaid dresses.

Specifically, she made, according to a spokesperson:

“First dance dress in oyster silk chiffon with diamond and chain embroidered bodice and cut out back. After party dress – micro mini all over cubic diamond and micro bugle bead body con dress with super low back. Going away suit – single breasted gros grain peak lapel jacket three piece suit with waist coat and wide leg trouser – suit is an alabaster off white wool Charlotte Moss & Ella Richards; two Bridesmaids dresses – washed silk chiffon in oyster – bias cut with soft ruffle at the shoulders. Jess Hallet: Maid of Honour – washed silk chiffon in dusty antique blue – bias cut with soft ruffle at the shoulders.”

Plus her own outfit, of course.

Now, who do you think is going to get the most press pictures sent round the world, and thus the most profits? One, of not all, of these dresses is going to be fabulous, and inspire various women to rush into Ms McCartney’s stores, and various high street outlets to pay “homage.”

Also doing well out of the event, I think, will be Yves Saint Laurent and Stefano Pilati, who made groom Jamie Hince’s blue wedding suit and after-outfits, as well as “best woman” Alison Mosshart’s. That was an interesting choice, and a surprise. Guess YSL is getting in on the rocker act now.

It’s shaping up to be a big weekend for British fashion. On one hand we have Catherine, Duchess of Cambridge, doing her best to represent every level of British brand available on the Canadian leg of her North American tour having already hit high-end designer (Erdem, left, and Roland Mouret), middle market (Issa, below right), and international accessories (Manolo Blahnik, Mulberry — both when she boarded the plane in Britian); on the other we have Kate Moss’s wedding.

Getty Images

OMG! The anticipation about what is coming for both women is almost too much to bear. After all, just think about what it means for a designer every time either woman appears in a brand. It could pump up the entire economy…

Getty Images

OK, that’s a bit of an exaggeration. Still, I’ve been thinking about it, and given the incredible financial benefits involved, not to mention sheer voyeuristic enjoyment, here’s what I want to know:

 

  1. Will Kate Moss wear John Galliano, and thus begin the maybe-possible resurrection of the designer? Or will she opt for some sort of unidentifiable vintage-y gown, as she did with her rather inexplicable rehearsal dinner dress, which made her look like she was either auditioning for a panto version of Rapunzel, or a home movie about Stevie Nicks.
  2. Will the Duchess of Cambridge continue to use the money she saved by not having a stylist or hairdresser accompany her on tour to up her wardrobe contents, eschewing her former high street choices (good for the home market, I guess, and the message and she and Wills are just like any other nice couple next door) for haute London fashion week names (the better to promote UK industry on the international stage)? She hasn’t yet worn, for example, Stella McCartney or Christopher Kane, and there’s always more Burberry and McQueen.
  3. How come neither of them has sported products from one of the biggest UK fashion success stories, one that was recently valued at £500m when it changed hands? Is it because it is now owned by an Austrian, even though it was started by a Brit (who now happens to live in America)? Is it because once you reach a certain level of success, you are considered global? (Burberry would suggest no, but then, they have been rather aggressive about self-identifying as English.) I am speaking, of course, of Jimmy Choo.

Anyway, stay tuned, as we attempt to answer these questions, as well as any others you might have.

Material World

with Vanessa Friedman

About this blog About Vanessa Blog guide
Vanessa Friedman's blog deals with the fashion/luxury industry from both a corporate and consumer point of view, as well as the subject of dress.



Vanessa FriedmanVanessa has been the FT’s fashion editor since 2003, and is based in New York, though she lived in London for 12 years.
To comment, please register for free with FT.com and read our policy on submitting comments.

All posts are published in UK time.

Contact vanessa.friedman@ft.com about the Material World blog.

See the full list of FT blogs.

Luxury 360

Visit Luxury 360, the FT's new online hub for creative and commercial coverage of the luxury goods industry, featuring news, views and special reports.

Luxury 360

Archive

« AprMay 2012
M T W T F S S
 123456
78910111213
14151617181920
21222324252627
28293031