© The Financial Times Ltd 2014 FT and 'Financial Times' are trademarks of The Financial Times Ltd.
John Galliano’s First Big Interview since his fall (OMG! OMG!) for alleged anti-Semitic remarks uttered while under the influence is in this month’s Vanity Fair. To be honest, for anyone who knows fashion even a little bit, it’s not that revealing (his statement that it was his first sober interview echoes Kate Moss’s long-ago revelation that she never walked the runway sober) – except for its inadvertent airing of two buried fashion world realities. Read more
So Oscar de la Renta has invited John Galliano, the ex-Dior designer whose fall from grace in 2011 for anti-Semitic remarks rocked the fashion world, back into the atelier. His atelier, to be precise. According to WWD, Mr Galliano is going to do a three week “designer in residence” stint in Mr de la Renta’s studio, beginning – well, soon. What do we think of this idea?
On the face of it, it is a surprise. But really, it’s very smart.
The surprise comes not from the fact Mr Galliano is beginning to stage a comeback (that’s been mooted for a while, and every friend of John I’ve talked to over the past year has mentioned it), but the fact he’s doing it under the auspices of Mr de la Renta. The two have never really been public collaborators before. Indeed, the classic New York society designer, favourite of first ladies, always perfectly dressed in suit and tie, and the British rebel who demolished and rebuilt an old couture house and costumed himself every season, are pretty different types. I mean, check out their portraits. Read more
This is not a trick question. The English supermodel and the American President have, however, adopted a similar approach to dressing. Read more
Art and fashion have had a notoriously long affair, with the former attracted to the glamour and glitz of the latter, and the latter attracted to the former for the creative legitimacy it can bestow on an essentially commercial endeavor, but rarely has one actually crossed over into the territory of the other. As of this Christmas season, however, Marc Quinn — he of Saatchi Young British Artists, “blood head”, and Traflager Square plinth/disabled marble bust fame – is breaking the rules.
OK, John Galliano made her actual wedding dress, which was pretty, but also pretty unsurprising (inspired by the beautiful and damned Zelda Fitzgerald, who was also the theme of Kate Moss’s famous 30th birthday celebration). But – and this a big But — Stella McCartney made six – count ‘em! – dresses for the Kate Moss wedding extravaganza that began yesterday and is continuing through the weekend. Now, who do you think is going to get the most press pictures sent round the world, and thus the most profits?
It’s shaping up to be a big weekend for British fashion. On one hand we have Catherine, Duchess of Cambridge, doing her best to represent every level of British brand available on the Canadian leg of her North American tour; on the other we have Kate Moss’s wedding. After all, just think about what it means for a designer every time they appear in a brand.