Marc Jacobs

Dolce & Gabbana SS15  © Catwalking

From crimson lips, to acid-bright eyes, to oil-slick hair, here are the biggest trends for Spring Summer 2015. Read more

In the game of fashion telephone, by which a rumour gets whispered to someone on the benches, which gets passed on, and so on, we have reached a new level of nuttiness: over the weekend, the New York Post speculated that Donna Karan’s tears as she took her bow at the end of her 30th anniversary show for her main line (left) — which they identified as her DKNY second line — somehow indicated she might be leaving, a rumour that was picked up by British Vogue’s website, and applied only to the second line – which then got picked up and spread by, a taken-seriously-by-the-industry website, which gives the whole thing a certain sheen of corporate credibility (it brought it to my attention, anyway). But let us pause for a minute to consider the likelihood of all this. Read more

To change an image, first you destroy it. Only then can you rebuild: this is the lesson of fashion, and it is the lesson of Miley Cyrus. Who ever thought those two words would reside in the same sentence? My guess is Cyrus herself or her handlers. I think they figured this out long ago.

Stage two in the re-invention of Miley Cyrus has begun, thanks to Marc Jacobs and his new ad campaign. After taking a wrecking ball to her Disney image via Terry Richardson and the twerking with Robin Thicke VMA incident, thus rendering her former self unrecognisable, she is now rebuilding. It’s one of fashion’s talents, after all; the Eliza Doolittle story writ lux. Will it work in this case? Betcha yes. Indeed, the entirely canny one-two-punch of Richardson/Jacobs to recreate Miley seems like strategy at the highest level. I don’t think this all happened by accident. Read more

Google has published its annual list of most-searched names in multiple categories in countries all over the world, and, as we know, there’s one category in particular that sets this blog’s heart to beating: fashion. Unfortunately, the search megalith doesn’t seem to track this particular segment globally (though they do track consumer electronics), or even in every country (surprisingly, for example, they don’t have a retail or high-end designer list for luxury hotspot Italy, nor, to my great frustration, for the UK), but in at least two, the US and France, the results are – well, not what one would expect, to put it mildly. Read more

Yesterday, in one of the more oblique resignations I’ve ever seen, designer Ann Demeulemeester announced she was leaving the brand Ann Demeulemeester, which she founded in 1986. She left a handwritten note, structured kind of like a poem, which I’m going to reproduce in full because – well, because I’ve never seen anything like it. In both its form and the fact that no one saw this coming, it makes for a pretty stark contrast with the gossip-ridden whispers and conspiracy theories that have recently surrounded other changes of designer.  Read more

And so the collective breath can be expelled: the thing everyone expected to happen has finally happened, and Nicolas Ghesquière has officially been named artistic director of Louis Vuitton womenswear. Oh, the drama! But will it have a happy ending? Read more

A few final thoughts on the last weird development of the week, which is to say: LVMH’s first planned IPO of one of their brands. It’s been rather overshadowed by the news of Twitter’s IPO, which granted, is a more immediate offering, but does anyone else find the Marc Jacobs listing drumroll as odd a development as I do? After all, LVMH has NEVER – let’s repeat that – NEVER, listed a brand they own before.  Read more

The news yesterday that Marco Zanini, former creative director of Rochas, would become the new creative director of the relaunched House of Schiaparelli, which would also join the couture calendar, is the sort of news that normally would send the fashion world into such a frenzied show of breast-beating (what will happen to Rochas!!) and excitement (what will this mean for Schiaparelli?!) it would put the actual shows on the runway to shame. Except this time no one batted an eyelash. They yawned, and moved on. How’d that happen? Expectations management via social media. There are lessons here for us all. Read more

To kick off the Paris shows, the final leg in the marathon that are the modern ready-to-wear collections, Louis Vuitton did something I can’t ever remember them doing before: they announced the name of their new accessories designer with all the hoo-ha and accolades that usually come with the unveiling of a new creative director. Step forth Darren Sapziani. In the luxury power structure, things they are a-changin’. Read more

Given the diversity debate that raged during New York Fashion Week – and which is making its way over the ocean to London, where the shows began today — thanks to a letter Bethann Hardison sent to the fashion councils of the four fashion week cities pointing out, in no uncertain terms, the extreme uniformity of the runway, I thought it might be interesting to keep a scorecard of sorts during NYFW to see if all the talk had any effect. Here’s what I found. Read more

I’m amazed that fashion, which loves to complain about fashion weeks (which start this week!), has thus far said almost nothing about changes to the New York and Paris schedules. Maybe everyone is simply in end-of-summer re-entry shock and hasn’t had time to focus? Whatever the case, and despite the constant rumblings about the need to condense the season, truth is this time around New York and Paris have pulled a fast one that should extend their “weeks” by another day. Which may not seem like a big deal, until you start adding up the costs. Read more

Sometimes, reading about brand expansion plans makes you long for the good old days when designers big market grabs had to do with sunglasses and fragrance. Today Marc Jacobs’ opened his new all-beauty store on Bleecker street in Manhattan, bringing his stores on the block to five. But why stop there? CEO Robert Duffy “hinted” that the future could hold “fine jewelry and furniture.” I bet he’s not the only one at LVMH who thinks so.
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President Obama has just nominated Caroline Kennedy Schlossberg as the ambassador to Japan. Assuming the Senate confirms her, you know what this means: the crowning of a new style icon. It’s not quite as big a deal as a royal baby, but it’s going to take Prince George awhile to grow into his Look and start influencing clothing sales, while Mrs Kennedy-Schlossberg will have to unveil her own pretty soon. Let the who-will-dress-her wars begin!

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During the couture shows the hottest topic of conversation runway-side was, unquestionably, whether or not Marc Jacobs (left, at the last Vuitton womenswear show) was going to stay at Louis Vuitton – and if he wasn’t, if Nicolas Ghesquière, late of Balenciaga, was going to get the job. Well, since then, the rumour has only gotten stronger on the blogosphere — google “Marc Jacobs leaving Louis Vuitton” and you get over 3 million responses. But amid all the speculation, there’s one fact no one seems to know.
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In more LVMH news, after Stuart Vevers announced his departure from Loewe, Delphine Arnault (below), Bernard Arnault’s eldest child, announced her arrival at Louis Vuitton. Lose some, add some. Ms Arnault is being moved from deputy managing director of Dior to deputy managing director and executive vice-president (the latter title for use in the US; the former for France) of LV, in charge of products, especially leather goods, aka the profit-generator of the brand. Now let’s read the tea leaves! Read more

These days we all hold certain truths to be self-evident: 1) that the Chinese market, while slowing, is still expected to be the biggest fashion market in the world; 2) that the Chinese are attracted to the idea of European heritage and skills; 3) that there is an increasing drive in China to support home-grown design (or to create it); 4) that the Europeans are trying to figure out how to exploit all those two realities to their own profit. Hence, for example, Kering’s purchase last year of Qeelin, the Chinese jewellery brand, and hence Iceberg’s decision to partner with Chinese video artist Yi Zhou for a capsule collection of menswear, womenswear, and accessories, to be launched next Christmas. What’s interesting about both these choices is they are focused much more on East than West. Fair enough: you go where the money is. And with the Iceberg case we reach example number 2 of this approach, thus bringing us ever-closer to critical mass for a trend.
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The resignation of creative director Emma Hill from Mulberry yesterday for “strategic differences” with new CEO Bruno Guillon, has opened up a whole can o’ speculation, centring on whether on not the designer might end up at Coach, the American handbag behemoth that is looking to turn itself into a lifestyle brand, and – according to insiders — looking for a name designer to do it, replacing current creative director Reed Krakoff, who resigned earlier this year. Of all the possibilities that have been floated for the post Ms Hill makes the most sense to me, for a number of reasons.
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John Galliano’s First Big Interview since his fall (OMG! OMG!) for alleged anti-Semitic remarks uttered while under the influence is in this month’s Vanity Fair. To be honest, for anyone who knows fashion even a little bit, it’s not that revealing (his statement that it was his first sober interview echoes Kate Moss’s long-ago revelation that she never walked the runway sober) – except for its inadvertent airing of two buried fashion world realities. Read more

This weekend marks the opening of designer Marc Jacobs’s first feature film. A “social media thriller” directed by Henry Alex Rubin and entitled “Disconnect”, it stars Jacobs (as well as Jason Bateman, Alexander Skarsgard and Andrea Riseborough) in a supporting role as an sort of e-pimp who provides runaways with shelter and employment doing internet porn. Judging from the trailer he’s pretty good – and really looks the part. In other words, he seems like a legitimate actor, which takes the whole fashion/film thing to a new level. It is a fluke or the future? That si the question. Read more