The resignation of creative director Emma Hill from Mulberry yesterday for “strategic differences” with new CEO Bruno Guillon, has opened up a whole can o’ speculation, centring on whether on not the designer might end up at Coach, the American handbag behemoth that is looking to turn itself into a lifestyle brand, and – according to insiders — looking for a name designer to do it, replacing current creative director Reed Krakoff, who resigned earlier this year. Of all the possibilities that have been floated for the post Ms Hill makes the most sense to me, for a number of reasons.
John Galliano’s First Big Interview since his fall (OMG! OMG!) for alleged anti-Semitic remarks uttered while under the influence is in this month’s Vanity Fair. To be honest, for anyone who knows fashion even a little bit, it’s not that revealing (his statement that it was his first sober interview echoes Kate Moss’s long-ago revelation that she never walked the runway sober) – except for its inadvertent airing of two buried fashion world realities. Read more
This weekend marks the opening of designer Marc Jacobs’s first feature film. A “social media thriller” directed by Henry Alex Rubin and entitled “Disconnect”, it stars Jacobs (as well as Jason Bateman, Alexander Skarsgard and Andrea Riseborough) in a supporting role as an sort of e-pimp who provides runaways with shelter and employment doing internet porn. Judging from the trailer he’s pretty good – and really looks the part. In other words, he seems like a legitimate actor, which takes the whole fashion/film thing to a new level. It is a fluke or the future? That si the question. Read more
Yes, it’s more Marc Jacobs news! The Jacobs show, aka the most-anticipated show of NY Fashion week due to the designer’s ability to turn on a dime season after season, has just emailed all of us fashion types to announce they are moving the show from Monday, the usual slot, to Thursday at 8pm due to “weather and production problems”.
Here are some excerpts: Read more
It struck me, looking at the upcoming Givenchy ad campaign, which features FoR (friends of Riccardo – -Tisci, the brand’s creative director) Mariacarla Boscana, artist Marina Abromovic and matador Jose Maria Manzanares, that one of the biggest fashion trends of recent years has been the selling of a quasi-family-reality – but more fabulous and famous, natch, than any of our real families. This seems to be reaching critical mass, and I rather expect it will continue next year. Why?
There’s a really interesting study out today from the Digital Luxury Group. Based on data from over 31 million searches on Google, Bing, Yandex and Bai du, as conducted in Brazil, China, France, Germany, India, Italy, Japan, Russia, the UK and US, it looked at which American luxury brands were the most popular globally (based on search, natch, not sales). The results would probably surprise you, especially when it comes to who’s on top, and emerging markets. Read more
Azzedine Alaïa autumn/winter collection. Image by Vanessa Friedman.
What’s next? This question does not refer to the continuing rumours about which designer is going to which house (though as I left Paris the Marc-Jacobs-to-Dior gossip received a new lease of life thanks to the fantastic Louis Vuitton not-quite-a-retrospective at the Musée des Arts Decoratifs, and a story in UK Vogue). It refers to clothes.
And though today, in my final review of the season, I wonder about the answer, last night, I saw a conclusion of sorts, so I thought I’d write this addendum.
Watching the Paris shows I was struck by two things:
- though I liked the clothes, mostly, that I’ve seen for the past few weeks, they are almost entirely focused on dressing for the now, as opposed to the future
- the relatively naked influence Azzedine Alaïa’s couture show in July had on the rest of the industry.
The electorate in general may be voicing ambivalence about the current administration (though it’s unclear who the alternative will be, or what they will think of him), and Wall Street may be swinging toward Mitt Romney, but one sector, at least, is standing by the current President: Fashion. In this election, as in the last, a number of America’s highest profile designers have stood up to lend their names and creative skills to fund-raising for their candidate. Today Runway to Win, a web site created by the DNC and the Obama re-election committee, is “previewing” products from 23 designers, all working under their own names, not their brand names, whose proceeds will go toward the melee to come.
Dior handbag. Image by Vanessa Friedman.
Forget the sense of nostalgia and farewell that pervaded Marc Jacobs’ sugar-sweet Louis Vuitton show, the clothes full of couture constructions as if an audition for a couture house; something happened yesterday at Christian Dior that had a very MJ-feel.
To be specific: the brand unveiled a new collaboration with the German artist Anselm Reyle that will be in-store for a limited time from January until March, and involved pop art-like neon camouflage and metallics on the famous Miss Dior bag, as well as little flats and wedges, some bangles, and even a makeup line. Read more
For everyone who was super-hyper-over-excited about the recent rumours, sparked this weekend by a report in the IHT, that Jil Sander’s Raf Simons was going to take over for Stefano Pilati at Yves Saint Laurent – well, Paul Deneuve, the chief executive of YSL, just told me it wasn’t true. Read more