Yes, it’s more Marc Jacobs news! The Jacobs show, aka the most-anticipated show of NY Fashion week due to the designer’s ability to turn on a dime season after season, has just emailed all of us fashion types to announce they are moving the show from Monday, the usual slot, to Thursday at 8pm due to “weather and production problems”.
Here are some excerpts: Read more
It struck me, looking at the upcoming Givenchy ad campaign, which features FoR (friends of Riccardo – -Tisci, the brand’s creative director) Mariacarla Boscana, artist Marina Abromovic and matador Jose Maria Manzanares, that one of the biggest fashion trends of recent years has been the selling of a quasi-family-reality – but more fabulous and famous, natch, than any of our real families. This seems to be reaching critical mass, and I rather expect it will continue next year. Why?
There’s a really interesting study out today from the Digital Luxury Group. Based on data from over 31 million searches on Google, Bing, Yandex and Bai du, as conducted in Brazil, China, France, Germany, India, Italy, Japan, Russia, the UK and US, it looked at which American luxury brands were the most popular globally (based on search, natch, not sales). The results would probably surprise you, especially when it comes to who’s on top, and emerging markets. Read more
Azzedine Alaïa autumn/winter collection. Image by Vanessa Friedman.
What’s next? This question does not refer to the continuing rumours about which designer is going to which house (though as I left Paris the Marc-Jacobs-to-Dior gossip received a new lease of life thanks to the fantastic Louis Vuitton not-quite-a-retrospective at the Musée des Arts Decoratifs, and a story in UK Vogue). It refers to clothes.
And though today, in my final review of the season, I wonder about the answer, last night, I saw a conclusion of sorts, so I thought I’d write this addendum.
Watching the Paris shows I was struck by two things:
- though I liked the clothes, mostly, that I’ve seen for the past few weeks, they are almost entirely focused on dressing for the now, as opposed to the future
- the relatively naked influence Azzedine Alaïa’s couture show in July had on the rest of the industry.
The electorate in general may be voicing ambivalence about the current administration (though it’s unclear who the alternative will be, or what they will think of him), and Wall Street may be swinging toward Mitt Romney, but one sector, at least, is standing by the current President: Fashion. In this election, as in the last, a number of America’s highest profile designers have stood up to lend their names and creative skills to fund-raising for their candidate. Today Runway to Win, a web site created by the DNC and the Obama re-election committee, is “previewing” products from 23 designers, all working under their own names, not their brand names, whose proceeds will go toward the melee to come.
Dior handbag. Image by Vanessa Friedman.
Forget the sense of nostalgia and farewell that pervaded Marc Jacobs’ sugar-sweet Louis Vuitton show, the clothes full of couture constructions as if an audition for a couture house; something happened yesterday at Christian Dior that had a very MJ-feel.
To be specific: the brand unveiled a new collaboration with the German artist Anselm Reyle that will be in-store for a limited time from January until March, and involved pop art-like neon camouflage and metallics on the famous Miss Dior bag, as well as little flats and wedges, some bangles, and even a makeup line. Read more
For everyone who was super-hyper-over-excited about the recent rumours, sparked this weekend by a report in the IHT, that Jil Sander’s Raf Simons was going to take over for Stefano Pilati at Yves Saint Laurent – well, Paul Deneuve, the chief executive of YSL, just told me it wasn’t true. Read more
So, back from my August vacation two days late thanks to Hurricane Irene, to discover, at least as far as NY fashion goes, things seem pretty much business as usual — except for Marc Jacobs, who apparently has decided he has to move his show from its usual slot at 8pm Monday the 12th, to a new closing slot on Thursday the 15th at 8:30 pm, thus extending the show week for a good five hours. Apparently, needed the extra sewing time thanks to the hurricane, which reveals a lot about the last-minute nature of what goes on the runway. Read more
Hoo-ha in the US yesterday not just about plunging stocks, but plunging model ages, as Good Morning America discovered that French Vogue and other such mags have been putting a 10 year old -gasp – in their pages. Now what was once a rumbling within fashion has burst out into the world of public opinion and opprobrium, but what the critics should be asking is not “Is this appropriate?” but rather, “Does the sort of shoot actually do what it is supposed to do — move product?”
The grand British fashion historian and critic Colin Macdowell has just written a rather incendiary, and I think alarmist, essay on the bussinessoffashion that (I think) has made the connection between the government forcing English students to pay for education and the death of English fashion. Read more
It never rains but it pours: less than a month after John Galliano’s public implosion and firing from Dior, LVMH (which is actually owned by Dior) faces another hoo-ha, as the ex-CFO/COO of Marc Jacobs International, Patrice Lataillade, sues both the Group (which owns a chunk of MJ, just as Dior owned a majority of John Galliano’s eponymous company), MJI, and MJI president Robert Duffy in Manhattan Supreme Court for sexual discrimination.
The CFDA (Council of Fashion Designers of America) nominations have been announced, and guess what: of the six major awards, three designers represent almost one fifth of the nominees. Makes the options looks pretty thin, no?
Last night I went to the Pierre hotel in New York to see a Lanvin loves H&M fashion show. They – by which I mean H&M, since this was clearly their gig to fund, though it had been given a Lanvin make-over — had taken over a jewel-like ballroom in the luxury hotel and erected a catwalk; outside was a red carpet. Read more
The Vanity Fair New Establishment 100 list has just been unveiled, and its criteria for picking “the 100 most influential” are increasingly impenetrable. Read more