And so couture comes to an end. I could tell you it was all about lightening up, or the new names on the schedule, or the rise of the couture trainer (meaning odds are the coming ready to wear season will be full of comfy rubber-soled shoes of whatever variety), but I’ll leave that for Saturday’s review.
Truth is, what struck me most about this season was the off-piste rise of the new runway game: “Which is the Oscar dress?”
See a conjunction of the evolving red carpet economy and timing means that today couture may well generate more Oscar dresses than any other season. And it is changing what’s on the runway. Read more
Forget clothes; the red carpet is all about the jewellery now. Would be that of an after-awards morning my in-box would be full of who-wore-what emails. Not any more! Now it’s jewels, all the way down (or pretty much). Yet I can’t help feeling that there’s a difference between fine jewellery and clothes, even really expensive clothes, and the “if-it-worked-for-fashion-it-will-work-for-gems” theory is wrong. Read more
Most fashion houses are understandably cagey about who they are dressing for the Oscars, the most lucrative red carpet marketing event of the year, which takes place this Sunday in Los Angeles. However, as I’ve been making the rounds of the Milan shows, some bits and bobs of information have come leaking out. The fear, of course, in spilling the beans is that in the end you are proved wrong (see post on Adele at the Grammys). The dressing game isn’t over until the celebrity actually exits the limo, but a few designers were willing to go on the record. Read more