So, after all the breathless waiting for Diego Della Valle to name a designer to the house of Schiaparelli, after Christian Lacroix’s guest stint at the last couture, after the newly decorated Schiaparelli atelier on Place Vendome was unveiled and Farida was introduced as the house’s ambassador – after all that build-up, how was Marco Zanini‘s debut as the official designer of the House of Schiaparelli, not to mention his debut as a couturier, not to mention Schiaparelli’s first couture show since 1954?
Not so shocking. Read more
Diego Della Valle has thrown yet another cook into the Schiaparelli mix: after announcing Farida Khelfa as the “face” of the brand and Vincent Darre as the decorator of the Maison, today he has revealed that Christian Lacroix will create a one-off couture collection, to be unveiled in July, that will be an “homage” to the late designer. That’s a lot of opinions and aesthetics under one roof. But there’s more (and there will be more)! Read more
The other day a man who had recently bought a famous fashion trademark, Mainbocher, with interesting plans for reinvention came to see me. It turns out he bought the marque from a man whose father had been very canny in snapping up these defunct-but-aromatic names, and still in the vault is Paul Poiret, among others. Which means that post-Worth and Vionnet and Schiaparelli, there are still a bunch of once-famous fashion houses that are potential relaunches. But should they be? Increasingly, I think that the old arguments in favour no longer hold true, largely because of the Brave New World of social media.
It doesn’t rain but it pours! Following Swatch’s purchase of Harry Winston, PPR has announced it has bought 51 per cent of hot young British brand Christopher Kane. That’s him, left, with stylist Caroline Seiber.
This marks the third British ready-to-wear brand owned by the French Group (it also has a joint venture with Stella McCartney and 51 per cent of Alexander McQueen), the first such young brand acquisition by a major luxury group since the recession, and the third in a series of PPR purchases: first Italian menswear brand Brioni, then Chinese jewellery brand Qeelin, and now Kane. It is up to something, no question. Where some see risk – buying a luxury brand at a time when consumer attitudes towards luxury itself are uncertain and China, aka the promised land, is experiencing a slowdown – they clearly see opportunity. Read more
What’s been happening over the last two weeks? What’s the news we can use? Here are my top three recent titbits — the ones that at first glance don’t seem so important, but on second look have outsize implications, from NY Fashion Week’s first casuality to Prada’s new super-expensive perfume, and the rise of the magazine brand as star.
Diego Della Valle may not yet have a designer for the house of Schiaparelli – that will come, he says, in September – but he has an interior designer: Vincent Darré. And yesterday in Paris Mr Darré, Mr Della Valle and Farida Khelfa, the face of the house, unveiled their new Maison. It’s a pretty perfect Cinecitta construct of how one would imagine Schiap — the woman who made shocking pink famous, collaborated with Dali and Cocteau, and invented such fashion staples as fake fur and the luxe shirtdress — once held court. Read more
I woke up this morning to what is, I believe, the shortest ever CEO announcement I have seen, courtesy of Schiaparelli. It’s like a luxury HR haiku! Or a clue to how they mean to go on. Read more
Mayor Bloomberg said it in his speech: “this is the Oscars of the East Coast.” Tom Ford said “There’s more fashion here than at the Oscars.” They were both talking, of course, about last night’s Met Gala, which raises an enormous amount of money for the museum’s Costume Institute (most of its annual operating budget, according to a spokesperson), works as highly effective advertising for all the fashion houses that participate, and, this time, also provided an unprecedented launch pad for a new brand. And you thought it was just a party. Hah.
I’ve been thinking recently of a conversation I had with Rodrigo Bazan, President of Alexander Wang, about the problem of pricing in a global luxury world – and his rather clever way of addressing the issue. The trigger was the news that European brands (well, mostly LVMH brands) are raising the prices of their products in Europe to compensate for the slight slowdown of business in Asia – caused, it seems, by Chinese buying luxury brands abroad, where they are notably cheaper than they are locally – which reminded me of something Mr Bazan had said of the luxury consumer in Asia: “when they see something they like, the first thing they do is Google it on the US web site of the brand, to see what the prices are in dollars.”