It’s almost a cliché now that you wait years for a fashion film and then two come along at once. It happened with two Chanel films in 2009, and now this year two YSL biopics are going head to head.
First up is Yves Saint Laurent which opens in the UK on Friday. Starring Pierre Niney as Saint Laurent, it’s the one that has the co-operation of the designer’s long-term boyfriend and civil partner Pierre Bergé, and director Jalil Lespert was therefore able to work with the Pierre Bergé-Saint Laurent Foundation. And the other? Saint Laurent, set for release in October and directed by Bertrand Bonello, has been backed by François Henri-Pinault, head of Kering, which has OK’d use of the fashion house’s logo and designs. Bergé has slammed the project on Twitter and said he wants to ban it. Read more
My favourite rumour of the day comes courtesy of WWD, which suggests that ex-Burberry CFO Stacey Cartwright, beloved of the City and regarded as a key player in that brand’s financial success, may find a new C-suite seat as CEO of UK department store Harvey Nichols. Current CEO Joseph Wan, who has been running the store for over a decade, “denied an appointment had been made.” Which doesn’t mean one isn’t coming. So let’s play my favourite game for a moment: “What if…?” Read more
Tomorrow French luxury and sports lifestyle Group PPR will announce it has a new name. Earlier this week, journalists received a mysterious evite to a meeting in Paris Friday to unveil the “new” PPR, one which has finally shed its old retail/catalogue arms, FNAC, Conforma and Redcats, to become a pure two-sector player. According to an insider, this unveiling is, in fact, the unveiling of the fact it is no longer called PPR. So far the Group has refused to divulge its new title, though it has registered at least two alternatives. Let’s see if they are any good.
Shoes by Nina Ricci. Image by Vanessa Friedman
It seems the YSL/Christian Louboutin red sole suit has had some unexpected consequences. Yesterday, during the Nina Ricci pre-fall mini-show, what I was most struck by among the neat little tweed day suits and very pretty cocktail frocks was an aside from designer Peter Copping that the brand had decided to start using a signature shell pink on the soles of all its shoes, as a sort of shorthand fashion semiology.
Could this be the start of a new trend: fashion houses known by the soles of their shoes? Read more
I did a fairly long interview with Francois-Henri Pinault, ceo of PPR, that’s running in the paper next week, about the way he thinks of his luxury brands, but in the process of talking Mr Pinault dropped some titbits I wanted to pass on. Here are three juicy ones. Read more
What’s up with YSL these days? Post-designer Hedi Slimane’s weird tweet rant at NYT critic Cathy Horyn, which came after her review of the on-line pictures of the show she wasn’t invited to (if you can follow the absurdity of that chain) the brand’s CEO has gotten in on the action. Yesterday YSL chief exec Paul Deneve wrote an “Open Letter” to WWD complaining about a story they wrote recently comparing Raf Simons’ Dior debut to Hedi Slimane’s at YSL. Mr Deneve didn’t think the WWD folks had been fair, he said, and they should stop trying to invent a rivalry that isn’t. At first glance, this seems like an executive kicking sand. But Machiavelli might have a different point of view. Read more
And the fashion world wonders why they are sometimes accused of being out of touch with reality. In the last 24 hours both Yves Saint Laurent and Christian Louboutin have declared themselves the victor in their on-going court battle over whether a colour can be trademarked. What’s a layperson to make of it? Read more
So, Yves Saint Laurent has confirmed that new YSL designer Hedi Slimane’s first rebranding of the company that Yves built involves….dumping the Yves! Albeit only from the ready-to-wear stores and labels.
“We Are All Guilty for this Mess,” according to Suzy Menkes, fashion editor of the International Herald Tribune. In a heartfelt piece in her newspaper, my fellow Fashion Week traveller and friend took the fashion industry (herself included) to task for the very public soap opera that is the current round of designer switcheroos, in which bystanders gossip and place bets and tweet about real jobs and real people like they are characters in a reality television game.
It’s tough and honest and has people buzzing at the shows, and I recommend you read it, but I’m also not sure I entirely agree with it. I think she’s right about the situation, but doesn’t fully get to the cause. Read more
Stefano Pilati. Image by Getty.
And so yet another designer departure is official: Stefano Pilati is leaving Yves Saint Laurent. Finally, the years of rumours about his impending demise (at the house, natch, not really) can stop! They are no longer exaggerated!
The timing of this announcement was as weird as that of Raf Simons’ recent departure from Jil Sander – this one comes a full week before Pilati’s last YSL show. My guess is the reasons were similar: news had leaked, gossip was rampant. Word on the street (and in my ears) was Hedi Slimane, who long ago ran YSL men’s wear to much acclaim, was on the way back. WWD published it. When I emailed Paul Deneuve, YSL’s chief executive, he made non-committal noises about “rumours,” and didn’t corroborate – or actually deny – any of it. Read more
Loulou de la Falaise, a fashion world figure who latterly had her own brand but was famous mainly for being one of Yves Saint Laurent’s muses, died over the weekend. I was sad, but it also got me thinking about the whole “muse” issue. This has got to be one of the worst job titles in all of fashion, and I think it’s time we changed it. Read more
For everyone who was super-hyper-over-excited about the recent rumours, sparked this weekend by a report in the IHT, that Jil Sander’s Raf Simons was going to take over for Stefano Pilati at Yves Saint Laurent – well, Paul Deneuve, the chief executive of YSL, just told me it wasn’t true. Read more
Blame it on the skinny model controversy and just wanting to avoid the issue entirely. Or maybe just boredom. But summer, it seems, has spawned some lateral thinking in the fashion world about where a brand should put its clothes.
Watching “L’Amour Fou”, the documentary about Yves Saint Laurent, Pierre Berge, and the $484 million sale of their stuff that opens today in theatres in the US, it’s hard not to think about John Galliano, and his rather spectacular implosion last March. indeed, it’s hard not to think that this film is as much about eulogising an era that is no more — that of the designer as monstre sacre — as a relationship. Or maybe they are one and the same?