Technological utopians have been predicting for years that the internet will weaken the dominance of superstar artists in the music industry and enrich the teeming masses of smaller, niche creators.
But new research suggests that this “long tail” theory is wrong: superstars are capturing the vast majority of music revenues and their share is increasing – not decreasing – because of the rise of digital services like iTunes and Spotify.
The top 1 per cent of artists – the likes of Rihanna and Adele – accounted for a whopping 77 per cent of recorded music income in 2013, according to research by Mark Mulligan of Midia Consulting. Read more
Pandora has just appointed a veteran of Microsoft’s advertising technology business as its new chairman, president and chief executive.
Brian McAndrews left his role at Seattle’s Madrona Venture Group, once a seed investor in Amazon.com, to join the internet radio service as it braces for new competition from Apple’s iTunes Radio. He replaces Joe Kennedy, who is retiring after leading Pandora since 2004. Read more
To Tim Westergren, Pandora’s co-founder, Apple’s iTunes Radio is just another “Pandora-killer” that will be less deadly than it first appears. A once wobbly Wall Street now seems to agree: Pandora’s shares have doubled this year – and were up another 8 per cent on Monday morning – as investors focus not on competitive threats or grumbling artists but on growth opportunities such as integrating its internet radio service into cars. Read more
Will.i.am, the futuristic frontman of The Black Eyed Peas, established his Silicon Valley bona fides long ago.
The “technology obsessed” rapper made a viral video for Barack Obama in 2008, sent his music back from Mars via the Curiosity rover, and is Intel’s “director of creative innovation.” He drives an all-electric Tesla, is partnering with Steve Jobs’ widow, Laurene Powell Jobs, and markets a $300 high-tech iPhone case.
But in a song on his poorly-reviewed new album #willpower, will.i.am takes his infatuation with startup culture to another level.
Called “Geekin’”, the track begins with a thudding chorus in which he repeats: “Get my geek on, get my, get my geek on.” Read more
It’s a moment that many tech industry observers have predicted for the best part of a decade: the US music market is now more digital than physical, by volume at least. Read more
Google has unveiled a new online music store after reaching deals with three of the Big Four record companies. At an event in Los Angeles on Wednesday, it announced EMI, Universal and Sony were part of the new Google music service, with no agreement having been reached with Warner Music.
The existing “Music beta by Google” service had allowed users to upload their music to Google’s cloud and access it through a browser or an Android app. The new service replaces it and adds a store and the ability to share music bought – for one play – with friends. But it is only open to US residents. Our live coverage of Google’s unveiling of its upgraded service is after the jump. Read more
Spotify’s launch in the US has helped to boost its subscriber numbers by more than 400,000 in three months, according to its chief executive. Read more
While investors were giddy this week about the latest tech-company IPOs, the technologists themselves were more interested in the advent of services bringing music to people from the cloud–or clouds. Read more
Along with Google, Amazon beat digital-music kingpin Apple in the race to launch a cloud offering that lets users hear their songs on any device, but this week’s deal with Lady Gaga shows just how much it dreads the widely anticipated arrival of competition from Cupertino. Read more