A few weeks ago I was in Oxford for the screening of Girlfriend in a Coma, the film on Italy’s decline written by Bill Emmott, former editor of The Economist, and Annalisa Piras, an Italian journalist and filmmaker. The audience – consisting mainly of British Italophiles and young Italian researchers who had left the country’s decaying universities to find shelter in British academia – gave the documentary a warm reception. During the discussion I chaired after the screening, Emmott conceded that taking the movie to Italy would pose a far greater challenge. He joked that he and Piras would need bodyguards. Their movie is in fact a brutal exercise in truth-telling, aimed at holding to account those who have run Italy over the past two decades.
Italy’s first reaction has, indeed, proved rather unwelcoming. The Italian premiere of Girlfriend in a Coma, scheduled for February 13 at MAXXI, a museum of contemporary art in Rome, was suddenly cancelled on Friday.