The Chelsea Flower show, that quintessentially British annual event where celebrities, business leaders, and horticulturalists rub shoulders with royalty, is in full bloom. This year it has generated a number of unusual talking points.
The chatter started with the Gnome controversy. This year the organisers, the Royal Horticultural Society, announced (well ahead of the show so Gnome collecting could begin in earnest) that they were lifting their ban on the love-them-or-hate-them ornaments. A plethora of photoshoots have now been held of the humble figures, displayed liberally around the show. Debate’s raged over whether they were tacky, somewhat lowering the tone of this highly polished event that kicks of the British social ‘season’, or whether it signified a welcome abandonment of snobbery and class discrimination.