It’s a competition with some questionable talent, scorned for its lack of taste, and yet the Eurovision Song Contest has an audience of 125m and brings pundits out in force to discuss what it says about the state of Europe today. With this year’s final coming up this Saturday in Malmö, Sweden, we give you the best pieces on how it works and why Europeans care, so that you can mingle with confidence at Eurovision parties.
- Did we mention it is seen as a proxy for the political situation in Europe? The FT’s Gideon Rachman wrote in 2008: “With both Eurovision and the EU, expansion has had a similar effect – west Europeans complain that they no longer recognise a club that they founded, and that they continue to fund.”
- Anthony Lane, the New Yorker’s film critic, was also struck by the idea of Eurovision as a metaphor – “what Eurovision delivers is flavorless processed cheese, as if it were produced not by musicians but by a cultural subcommittee of the European Union, convened in a back room in Brussels.”