A few weeks ago I was in Oxford for the screening of Girlfriend in a Coma, the film on Italy’s decline written by Bill Emmott, former editor of The Economist, and Annalisa Piras, an Italian journalist and filmmaker. The audience – consisting mainly of British Italophiles and young Italian researchers who had left the country’s decaying universities to find shelter in British academia – gave the documentary a warm reception. During the discussion I chaired after the screening, Emmott conceded that taking the movie to Italy would pose a far greater challenge. He joked that he and Piras would need bodyguards. Their movie is in fact a brutal exercise in truth-telling, aimed at holding to account those who have run Italy over the past two decades.
Italy’s first reaction has, indeed, proved rather unwelcoming. The Italian premiere of Girlfriend in a Coma, scheduled for February 13 at MAXXI, a museum of contemporary art in Rome, was suddenly cancelled on Friday. Read more






For views and opinions on the European Union from Peter Spiegel, Joshua Chaffin, Alex Barker and James Fontanella-Khan, follow the